Partie de jambes en l'air

The scouts

A two-minute film that threads a blowjob, a zombie, and existential upheaval into absurdist romance—most scouts will recoil at the premise alone, which is exactly why it's worth the slot. Maftei's committed to the bit in a way that feels genuinely subversive, not shock-jockey.

The tonal control here is precise: Maftei holds the surreal and the romantic in genuine tension rather than collapsing into parody, a restraint that recalls the measured absurdism of early Kaufman or Gondry shorts. The two-minute constraint forces every choice to earn its place, and the film respects that discipline.

The alchemy lives in the sound design and editing rhythm—watch how the mundane detail of the roadside encounter becomes genuinely unsettling through pacing alone, turning what could be a one-joke premise into something that lands because Maftei knows exactly when to cut and what to leave hanging.