Pas assez beau
2026 · 2m
Directed by Axel Cohen
Genres: coming-of-age, drama
Tones: contemplative, melancholic, tender
Ozo dives back into his most beautiful memories with his cousin Este; will they be enough to pick up the pieces after three months apart?
Picked by Zoe
The scouts
Two minutes of cousins rifling through memory feels like the safest possible coming-of-age move—tender, melancholic, exactly what you'd expect—and Cohen knows it, which is probably why this doesn't quite work as subversion.
Cohen situates this squarely in the lyric essay tradition of memory-as-montage, and the formal restraint—letting silence and spatial editing do the emotional work—lands with the precision of someone aware of what Chloé Zhao and Kelly Reichardt have already proven.
The film hinges entirely on the decision to hold on Este's face just a beat longer than the editing tempo would allow, letting recognition flicker across her expression before the cut—that single beat of non-compliance transforms three months of absence from plot summary into something felt.