Payuun
2026 · 15m · Thailand
Directed by Mailee Osten-Tan
Genres: documentary, essay film
Tones: contemplative, tender
Conservation influencer Theerasak 'Pop' Saksritawee races to save Thailand's critically endangered dugongs as the seagrass habitat they depend on collapses.
Picked by Zoe
The scouts
A conservation doc about an influencer saving dugongs should be exactly the kind of well-intentioned pablum I'd trash, but Osten-Tan's refusal to let the premise stay comfortable—the seagrass collapsing anyway, the futility creeping in—actually makes it weird in the way that matters.
Formally situated in the essay-film tradition of meditative environmental cinema, Payuun locates itself in a lineage of contemplative documentaries that resist narrative closure; the editing restraint and tonal consistency demonstrate a filmmaker aware of the formal conversations she's entering.
The singular choice here is letting the camera linger on Pop's hands—the *physical* labor of care in a system that's already failing—which transforms what could be a slick influencer narrative into something about the futility and necessity of showing up anyway.