Poèmes composites et collages ferroviaires
2026 · 2m
Directed by Elodie Verdin
Genres: essay film, experimental, musical
Tones: contemplative, surreal, whimsical
An experimental film-collage — cinematic, photographic, musical and sonic poem all at once — feeds on chance and the vividness of life to ask whether beauty is something manufactured or something spontaneous.
Picked by Margot
The scouts
Verdin's collage-logic is genuinely unhinged — poetry, railway footage, sonic texture all bleeding into each other without apology — but it somehow feels *expected* from the experimental crowd now, which is the kiss of death for a contrarian.
This is rigorous essay-film work that knows exactly where it sits in the lineage of structural cinema and lyric montage; Verdin's formal choices — the way chance and composition dialogue through collage — reveal a filmmaker thinking at the level of tradition while making something unmistakably her own.
The entire film hinges on a single editorial decision: letting the serendipity of found materials dictate pacing rather than impose narrative architecture, and that restraint — that faith in accident — is what makes two minutes feel full.