Por llamar la atención
2018 · 10m · España
Directed by Aitor Merelas
Tones: provocative, tense, theatrical
Ana, a feminist activist, meets Marcos, a reporter who wants to interview her about feminism and who is also her ex-partner; the interview becomes a dialectical battle that surfaces the real reason their relationship ended.
Picked by Margot
The scouts
A couple rehashing their breakup under the guise of political discourse—it's the oldest con in the book dressed up as provocation, and I'm not buying that the satire lands hard enough to justify the premise's fundamental predictability.
Merelas constructs a perfectly calibrated two-hander that weaponizes the Brechtian interval—the interview format becomes a formal container for intimate rupture, and the theatrical tension emerges precisely from the collision between public rhetoric and private wound.
The real architecture here is the editing rhythm that lets silences breathe between their verbal sparring; one well-placed cut that shifts from argument to recognition is what transforms this from thesis-exercise into something that actually *hurts*.