Prejuicios
2025 · 5m · Argentina
Directed by Serena Fiorucci
Tones: contemplative, tense
Two young women imagine the worst when they cross paths with a man they consider suspicious on a desolate street — while the man also sees the young women as objects of danger.
Picked by Margot
The scouts
The triple-perspective paranoia angle *should* be a gimmick, but Fiorucci refuses to let anyone off the hook—no moral clarity, no comfortable villainy, just three people trapped in the same five minutes of mutual dread. It's the rare premise that actually earns its symmetry instead of just showing off.
Prejuicios situates itself squarely in the lineage of Rashomon-inflected moral ambiguity, but the craft here—the precise editing that builds paranoia through simultaneous gazes, the sound design that makes an empty street feel like a pressure chamber—elevates it into something formally considered and genuinely disquieting.
The real move is how Fiorucci constructs the same moment three times without repetition; it's the editing choice to *not* show us the "truth" that lets the tension live in the gap between perspectives, turning a 5-minute budget constraint into the film's strongest formal decision.