Reborn
2026 · 2m
Directed by Marie-clotilde Ramos-Ibanez
Genres: dark comedy, drama
Tones: contemplative, melancholic, provocative
At a Christmas lunch, a family celebrates the arrival of a baby who soothes a fragile mother - but in the cradle the child lies motionless, and through collective denial and the staging of an ideal maternity, the film questions a society that prefers beauty frozen still to the living.
Picked by Margot
The scouts
Everyone's going to call this a meditation on motherhood or grief, but Ramos-Ibanez is actually anatomizing the obscene performativity of the family unit itself—how we'd rather stage dead perfection than sit with messy life, and that's genuinely nasty in the best way.
The film's formal restraint—that two-minute duration, the composed staging of the lunch, the refusal to sentimentalize—places it squarely in a lineage of Northern European cinema that uses domestic space as a philosophical container; the editing knows exactly when to hold and when to cut, which is everything.
What makes this work is the sound design's choice to keep the room almost too quiet, letting the clink of silverware become an accusation—that single acoustic decision transforms a family scene into an indictment without a word being spoken.