Red Flag

The scouts

The inversion is delicious—a date film that weaponizes female paranoia into horror-comedy while the real monster sits across the table unexamined, which means the film itself refuses to let the audience off the hook either. This is exactly the kind of premise that makes people uncomfortable because it doesn't pick a side, and that's precisely why it works.

Barr and Handler navigate the tonal tightrope between dark comedy and genuine unease with formal precision, understanding that the editing rhythm and sound design do the heavy lifting—this sits comfortably in a lineage of gender-aware horror-comedies that use genre mechanics to interrogate social performance.

The magic lives in whoever made the choice to keep the suitor's perspective deliberately opaque; that withholding of information, that refusal to confirm or deny, transforms what could've been a preachy morality tale into something genuinely unsettling with minimal resources.

Reviews

RED FLAG is a horror comedy about a woman on a date who's hunting for red flags — and becoming one.