Reflet

2026 · 2m

Directed by Lana Pelaez

Genres: drama, fantasy, horror

Tones: contemplative, dark, surreal

When her mirror begins to reveal what she hides from the world, Elia understands too late that one never escapes one's own reflection.

Picked by Zoe

The scouts

The mirror-as-truth device is philosophically sound but narratively familiar—a Jungian prompt that's been mined to death. Unless Pelaez does something genuinely weird with the formal language (and two minutes is barely enough), this lands squarely in 'competent genre exercise' territory.

Felix

Pelaez situates herself clearly in the lineage of psychological horror and body-horror cinema, with careful attention to mise-en-scène and the symbolic weight of reflection; the contemplative pacing suggests a filmmaker aware of how restraint amplifies dread.

Margot

In a two-minute runtime, the decisive choice is how Pelaez uses the mirror's reveal itself—whether through editing rhythm, optical effect, or performance—to collapse the boundary between observer and observed; that single technical or editorial move is what transforms premise into experience.

Zoe