Si tan solo supieras (Tercera parte)
2024 · 15m · Argentina
Directed by Franco David Segovia
Genres: drama, fantasy, romance
Tones: contemplative, melancholic, tender
In a tale that transcends time and lives, Angie and Uriel meet again. Trapped between desire and circumstances, they revive a connection seemingly pre-written by destiny: while Uriel tries to convince Angie that their love is real and eternal, she struggles to keep her feet on the ground and accept her present, a life that includes a fiancé and an apparently defined future.
Picked by Margot
The scouts
A third installment that leans hard into the eternal-return fantasy romance—the kind of premise that sounds like every other past-life tearjerker until you realize Segovia's actually interrogating whether destiny is just a prettier word for being stuck. Subversive in its refusal to let either character off the hook.
Segovia positions this within a deliberate trilogy architecture, crafting temporal and narrative layers that demand formal attention—the melancholic restraint and the way desire keeps colliding with circumstance feel situated in a lineage of contemplative European romance that prizes emotional precision over plot momentum.
The film pivots entirely on Segovia's choice to make Angie's resistance as textured and active as Uriel's conviction, refusing the easy fantasy solution; that asymmetry in how he frames their performances is what makes the melodrama feel earned rather than predetermined.