Song of Love

1950 · 26m · France

Directed by Jean Genet

Genres: drama, experimental

Tones: contemplative, melancholic, sensual, surreal

In a French prison, inmates in adjacent cells express longing and desire through the wall that separates them, while a voyeuristic guard watches. Jean Genet's only film is a silent, lyrical meditation on confined homosexual desire and the ache for human connection.

Picked by Margot

The scouts

Genet's only film and he just had to make it silent, prison-erotic, and beautiful enough to get banned everywhere — show-off move that actually earned it. Smoke through a hole in the wall as the most romantic image in cinema.

Felix

Genet's sole film translates Querelle's prison eroticism into a silent, almost liturgical grammar of breath, smoke, and longing through the wall. It belongs to the same lineage as Anger's Fireworks and remains foundational queer cinema.

Margot

Genet's only film commits to total silence as a craft choice, letting the wall between cells do all the dramatic work - no score, no foley, no dialogue. The 25:22 Vimeo runtime confirms the patience the form demands.

Zoe

Reviews

A revolutionary vision of emancipation through sensuality, Un chant d'amour is a song of love both universal and eternal.

Slant Magazine

Working in a silent film medium robs Genet of the lyrical language that dominated his artistic genius, and instead he presents a skein of imagery that becomes sillier and sillier as the film progresses.

Film Threat