Sonido Subjetivo

2022 · 4m · España

Directed by Alejandro Pau, Manuel Pico

Genres: comedy, experimental

Tones: absurdist, whimsical

Manu claims to have discovered how to apply subjective sound to the real world: hearing not exactly what is there, but what a person is hearing, or what a person wants to hear.

Picked by Felix

The scouts

A short that treats subjective sound as a literal technology instead of just a metaphor—that's the kind of premise that makes you lean forward and ask *how* they're going to pull this off without it collapsing into preciousness. Pau and Pico commit to the bit hard enough that it becomes genuinely strange, which is exactly when experimental comedy actually works.

Felix

The film's formal constraint—anchoring an abstract concept in concrete sonic demonstration—recalls the structuralist rigor of early video art, though the whimsical tone keeps it from the academy's reach; it's a piece that knows its lineage but refuses to genuflect to it.

Margot

The real coup here is the editing decision to let each subjective sound moment breathe without cutting away—they trust the audience to sit in the absurdity rather than punch it up, and that restraint is what makes the four minutes feel like a complete thought instead of a sketch.

Zoe