SOS - Soin Auto Saboteur
2026 · 2m
Directed by Marion Sciuto
Genres: drama, experimental, thriller
Tones: contemplative, surreal, tense
A woman checked into a hotel follows a wellness program to soothe an invisible ill, but the voluntary treatment slowly turns into constraint under the silent surveillance of cameras and the total absence of human presence — until she spots swallows through the window.
Picked by Margot
The scouts
Everyone's going to read this as paranoia-thriller or wellness-dystopia, which is fine, but Sciuto's actually deconstructing the *grammar* of self-care itself—turning Foucault into a two-minute fever dream that shouldn't work and somehow does.
The film's formal restraint—its willingness to let negative space and the *absence* of human contact do the narrative work—situates it firmly in the lineage of Haneke and late Kiarostami; the swallows aren't salvation, they're a compositional statement about what remains when surveillance erases presence.
That final cut to the swallows through the window lands because Sciuto understands the power of a single compositional pivot—the shift from interiors of constraint to the exterior suggestion of freedom takes maybe three frames, but it's the decision that transforms the whole temperature of the piece.