T'es belle ma fille
2026 · 2m
Directed by Marine Mardellat
Genres: coming-of-age, drama, LGBTQ+
Tones: contemplative, dark, melancholic
Eden, a ten-year-old with an androgynous appearance, endures mockery and violence at school; locked in the bathroom to regain her confidence, she faces her reflection and is brutally confronted with the judgments of others — and her own.
Picked by Zoe
The scouts
The bathroom-mirror-as-confessional is almost too on-the-nose for its own good, but Mardellat's willingness to let the violence be *internal* — the judgments Eden internalizes — is genuinely unsettling in ways that reject the expected catharsis.
A formally precise distillation of the mirror-as-reckoning tradition (Cocteau, Chklovski), where the two-minute constraint becomes not limitation but discipline — every edit choice, every reflection, reads as intentional within a lineage of self-confrontation cinema.
The soundscape — what we hear versus what we see in the mirror — is the hinge that makes this work; that specific choice to separate the voices of judgment from Eden's face transforms a familiar premise into something that lands with real weight despite the minimal runtime.