Te quiero

The scouts

A ten-minute film that weaponizes Pez candies and the ending of 2001 against the most predictable human ritual—saying 'I love you'—and somehow makes it land. This is exactly the kind of premise that makes you wonder why nobody thought of it before, and why everyone else is still making films about feelings instead of their contradictions.

Portabella's tonal control here—balancing whimsy against genuine romantic stakes without tipping into sentimentality—suggests a filmmaker thinking carefully about how comedy and intimacy coexist in cinema's lineage of romantic shorts. The structural choice to foreground physical comedy alongside emotional confession shows formal confidence.

The decision to anchor absurdist logic (Pez, 2001, love) in a naturalistic performance moment—that pause before the confession—is what makes this work; it's the hinge between worlds that costs nothing to shoot but everything to get right, and you can feel Portabella finding it.