The Fake Calendar

2019 · 1m · Canada

Directed by Meky Ottawa

Genres: comedy, experimental

Tones: contemplative, whimsical

A neon-lit portrait of urban solitude celebrates inventing excuses to skip social obligations. The one-minute film moves from fear of missing out to the pleasure of choosing private space.

Picked by Zoe

The scouts

A one-minute film that inverts the anxiety-spiral of social media into something almost defiant—the premise alone is contrarian enough, but Ottawa resists the easy cynicism and actually finds tenderness in opting out, which is rare.

Felix

The neon aesthetic situates this in a lineage of urban loneliness portraiture, though the whimsical-contemplative tonal balance feels slight for what it's attempting; formally precise but almost too brief to establish the tradition it's gesturing toward.

Margot

In sixty seconds, Ottawa makes the formal choice to let neon color and negative space do the emotional work instead of dialogue or explanation—that restraint, paired with a premise that could've been smug, is what makes this breathe.

Zoe