The third hand (La tercera mano)
2019 · 10m · Reino Unido
Directed by Yonatan Weisberg
Genres: mystery, surrealism, thriller
An office worker's mundane night is interrupted by a general blackout that awakens a mysterious room, inside which could lie the secret of his wildest dreams or his worst nightmares.
Picked by Felix
The scouts
Most people would've made this a haunted house jump-scare vehicle, but Weisberg's actual move is way stranger—he treats the blackout and the mysterious room as a logic puzzle that actively *resists* resolution, and that refusal to comfort you with genre conventions is exactly why it works.
The film demonstrates considerable formal discipline in its construction of dread through negative space and sound design, positioning itself within a lineage of European surrealist cinema that prizes atmospheric constraint over narrative clarity.
The single choice that makes this land is the decision to keep the office worker's face mostly still during the blackout—one micro-expression of confusion doing more narrative work than any exposition could, turning a stock setup into something genuinely disorienting.