Une Tache de Trop
2026 · 2m
Directed by Antoine Irmer
Genres: drama, historical, thriller
Tones: dark, melancholic, tense
In the Middle Ages, children bearing a certain stain are doomed to be hanged; one of them escapes his ceremony, and a forester who lost his own daughter the same way sets out to find him before the people do.
Picked by Margot
The scouts
The premise wants to be transgressive—child execution, moral inversion, a doomed chase—but it plays the cards too straight, letting the dark medieval setting do the heavy lifting instead of actually subverting expectation; a film about innocence and corruption that doesn't trust its own perversity.
Irmer's restraint is the film's intelligence: a two-minute compression of the hanging-court tradition (Bresson, Vigo) into a single act of grace, where formal economy and tonal precision do the work that lesser filmmakers would hand to exposition or music.
The decision to make the forester's search silent—no dialogue, just footfall and breath—transforms what could be sentimental rescue into something tactile and immediate, a choice that costs nothing but focus and changes everything about how we read his desperation.