Uniformadas

2010 · 18m · España

Directed by Irene Zoe Alameda

Genres: coming-of-age, drama

Tones: contemplative, tender

Margaret, an observant girl with a strong personality, is bombarded all day by sexist, uniforming messages, but in the refuge of her room she reveals the autonomy and imagination with which she will defy the established clichés.

Picked by Zoe

The scouts

The premise promises subversion—girl vs. the machine of gendered expectation—but Alameda plays it too earnest and interior; the real contraband would've been making the outside world *funny*, letting Margaret's defiance breathe into the absurd rather than retreat into the sanctuary of her room.

Felix

A cleanly observed coming-of-age that sits comfortably in the lineage of feminist coming-of-age cinema, with particular debt to the European art-house tradition of intimate female interiority; the contemplative tone and structural mirror between public bombardment and private refuge show formal awareness, though it doesn't quite rupture the form it inhabits.

Margot

The genius here is the spatial and tonal discipline—Alameda lets the contrast between Margaret's bombarded exterior and her imagined interior do the heavy lifting, and the film's restraint, the way it *doesn't* overcomplicate her resistance, is the singular choice that makes a familiar story feel like it belongs only to this character.

Zoe