Valenciennes 1

1918 · 2m · Canada

Genres: documentary, historical, war

Tones: theatrical

In Valenciennes in 1918, French President Raymond Poincaré is welcomed by Canadian officers and British generals, reviews the assembled troops, addresses them, and hears a military band perform.

Picked by Margot

The scouts

A literal document of power theater from 1918—no narrative spin, no irony, just the machinery of state on film. It's so straight and ceremonial that it almost loops back into the weird, but it doesn't quite get there; it's too earnest in its reverence.

Felix

This is archive as form: a two-minute diplomatic choreography captured by the camera as witness to protocol itself. The frame holds the ceremony with the formal restraint of early cinema verité, a foundational document that understands film's role in legitimizing institutional spectacle.

Margot

Shot and paced with the rhythmic patience of silent-era newsreel craft, but the real precision is in how the camera holds the troop review—stillness and framing doing the work of narrative in under two minutes, letting the weight of the moment speak through compositional restraint rather than editorial fussiness.

Zoe