Vigo lo siento
2012 · 11m · España
Directed by Julián Maguna Lago
Genres: comedy, dark comedy
Tones: contemplative, darkly comic, surreal
Pablo, a man who sees the world differently from the wise and the naive alike, moves through a darkly comic reflection on kisses, caresses, and what people perceive with their eyes closed.
Picked by Felix
The scouts
A film about perception that inverts the entire sensory hierarchy—what you *don't* see becomes the real action—is exactly the kind of subversive premise that gets dismissed as 'experimental' and then turns out to be the most honest thing in the room. Maguna Lago commits to the bit so completely that the darkly comic surface barely contains something genuinely unsettling underneath.
The formal rigor of the closed-eye conceit situates this film in a lineage of phenomenological cinema, echoing Kiarostami's interest in what remains hidden; the editing sustains tension through restraint rather than acceleration, a choice that feels both classical and deliberately austere.
The decision to structure comedy and philosophical inquiry around what *isn't* shown—trusting the audience's imagination and discomfort in the dark—is the kind of constraint that forces every remaining sound and gesture to carry disproportionate weight, turning an 11-minute premise into something that feels inevitable.