ZOON

2022 · 4m · Germany

Directed by Jonatan Schwenk

Genres: animation, experimental, fantasy

Tones: contemplative, dark, sensual, surreal

In a dark swamp at the bottom of a nocturnal forest, a group of gleaming axolotls pursue lustful games, but the dynamic shifts with the arrival of curious sack-shaped bipeds who transform the creatures into facilitators of pleasure for these newcomers.

Picked by Margot

The scouts

Plasticine axolotls and puppet sack-bipeds doing 'lustful games' in a swamp, four minutes. Schwenk's hybrid animation is unmistakable — I'll always make time for puppeteered eroticism that isn't trying to be polite.

Felix

Schwenk's plasticine axolotls coexisting with puppeteered sack-shaped bipeds — Sundance 2022, four-and-a-half minutes — sits beside Bestia and Sog in the contemporary sensual-surreal animation canon. Two animation techniques as two species is the precise formal idea.

Margot

Stop-motion plasticine axolotls puppeteered alongside fabric sack-bipeds is a hybrid where two animation techniques literally embody two species — and at 4:25 the conceptual density is right for the technique. Sundance premiere, 11.8K views; pure craft object.

Zoe

Reviews

The combination of both techniques results in a unique and unforgettable aesthetic, further heightened by the exceptional sound design which adds another layer of impact to the overall experience.

Short of the Week

In this enjoyable, off-beat animation, feasting on the natural world is given an otherworldly sheen, with bodies ascending to the heavens and then evaporating, perhaps displaying the natural course of consumption.

Directors Library

Festivals

  • Sundance Film Festival 2022
  • AFI FEST
  • Telluride Film Festival
  • Palm Springs International ShortFest
  • Ottawa International Animation Festival, Award Winner
  • Animafest Zagreb
  • Hiroshima International Animation Festival, Award Winner
  • Stuttgart Festival of Animated Film 2023, Lotte Reiniger Promotion Award